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Minimax H3 Recast: Change the Cast, Keep the Performance
Bring the footage and the faces. Minimax H3 Recast keeps the acting, edits and audio, and only swaps who is on screen.
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Minimax H3 Recast

Minimax H3 Recast swaps the cast of a clip you already cut: feed it photos and the pacing, camera work, edits and audio stay as filmed.

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Why Use Minimax H3 Recast

Minimax H3 Recast edits the cast of a clip that is already finished, leaving the parts that work alone and altering only who appears on screen.

  • A casting swap on finished footage
    Point Minimax H3 Recast at a video you already have and hand it portraits; it substitutes those faces for the ones on screen instead of producing fresh footage.
  • Identity holds through the edit
    Order your portraits to mirror where each person stands on screen, and the recast keeps that pairing steady even as the edit jumps between shots.
  • The footage supplies the acting
    Every beat the clip already owns — glances, pauses, facial work, on-set light and the path of the camera — stays as shot; only the faces and their clothing come from your uploads.

How to Use Minimax H3 Recast

Three steps take a clip that is already cut to a brand-new cast with Minimax H3 Recast.

Minimax H3 Recast Features

Where Minimax H3 Recast earns its place: a cast change that leaves the acting, edit, audio and framing exactly as filmed.

Cast up to four, left to right

Four uploads is the ceiling, and each one takes over a lead role in the order you set, holding that same person through every cut they appear in.

Prompt override for casting order

A written instruction reassigns who becomes whom, replacing the default screen-order mapping when your footage calls for a different match.

Performance stays, people change

Nothing about the acting is regenerated: turns, beats, facial work, lighting and camera motion all come from your footage, while faces and garments are swapped in from your images.

Cuts and sound carried over

The pacing of the edit and the track underneath survive untouched, so you end up with a finished clip wearing a new cast rather than a from-scratch rebuild.

768p test, 1080p final

A quick low-resolution pass lets you verify the match before paying for the full-resolution output; pricing tracks the length of your clip.

Hair and outfit follow the reference photo

When your upload frames more than just a face, the hairstyle and garments come with it — half-body framing transfers them more reliably than a tight head crop.

FAQ

Minimax H3 Recast — FAQ

Common questions about cast swaps with Minimax H3 Recast.

1

What does Minimax H3 Recast actually do?

Minimax H3 Recast is a cast substitution, not a video generator: portraits you upload stand in for the people already in your footage, and everything else — movement, framing, edits, audio — is preserved from the original.

2

How long can my source video be?

Your clip needs to sit in the 5–30 second range, with each individual shot under 15 seconds; cut longer takes apart before uploading, since the result comes back at the same length you gave it.

3

How many people can I recast, and in what order?

Four people maximum, each needing its own portrait. By default the tool assigns them to the leads in screen order, so arrange your uploads to match; a written instruction can change that assignment.

4

What kind of reference photos work best?

Choose a single crisp, well-lit, forward-facing portrait for each person. Half-body framing transfers hair and garments more faithfully than a close crop of the head; leave out sunglasses, hats, obscured faces, group shots and heavily filtered or blurry images.

5

Should I use 768p or 1080p?

Do a low-resolution pass first to verify the pairing, then produce the deliverable in 1080p. Because pricing tracks clip length, that first pass is the inexpensive way to catch a bad match.

6

When should I not use Minimax H3 Recast?

It is the wrong tool when the footage itself has to change — different movement, different camera work, a different location — because those come entirely from your source. Results also weaken with dense crowds, faces that are tiny or far away, rapid movement, and objects blocking the face after a hard cut; over long takes or when someone turns to profile, the likeness may slip back toward the original performer.

Try Minimax H3 Recast on Fuser

Swap in new faces on a clip that is already cut and scored — the pacing, camera work and audio you shot stay exactly where they are.